Thursday, November 16, 2006

Visualization; Within The MInd's Eye

Before there were words, there were images. Most people perceive reality as something outside of themselves. But, if you close your eyes you find within the mind's eyes that images and thoughts seem to appear. These inner events are expressed by Jung as psychic reality; the immediate objects within consciousness. The sensitive attunement to such inner reality is captured by Ken Beittel in what he calls the experience of "the qualitative immediate present". This is the alpha and omega of art. Samuels & Samuels (1975) see two levels of inner mental processes, verbal and visual thought. They recognize that with the human development of language and written systems, rational thought has come to dominate most of the world's way of perceiving reality. Language enables the speaker to distance and externalize experience which seems to remove the immediacy of everyday encounters. This has overshadowed the more primal aspects of visuality within consciousness, and the awareness to the aesthetic nature of being. While there are many scholars who see myth, narrative, and metaphor (Campbell, Barthes, Brunner, Lakoff, Becker) as fundamental processes of the visual mind, these still emphasize language and the representational. Yet, in the creative process, in the experience of the qualitative immediate presence, there is a non-representational aspect that seems it can not be transferred into language. This makes it extremely difficult to explain it. It simply must be experienced and lived in order be graspable. As the Zen Tenet states, "Living processes and words about it are not the same and should not be treated as equal". Dewey and the pragmatists began to point to this, but it seems we need to move beyond the idea of process to the experience of consciousness within process. This is where deep knowing of reality exists.

Saturday, November 11, 2006

'My Imaginarium' Visual Journal Slide Show



This show represents the kind of process-based aesthetic research I have been using as an arts-based methodology for the Self-Inquiry. It is a method I used as an early research project, as well as a reflective practice I presently use with my pre-service teachers. Standard 1" binders are transformed into aesthetic pages of reflective text and images. I call this visual journaling exercise, The Imaginarium, as it represents the inner spaces, colors, and textures of unfolding story of life experience. It covers such content as historical data on childhood art experiences, the meaning of studio space, the experience of the creative process, media and themes in the work, pivotal life experiences, existential questions, philosophy of art and teaching, etc.... While these images appear as visual journal entries, it is the introspective, and reflective process rather than product that is emphasized as an integral part to self-inquiry as arts-based research. It is the process of remembering, digging for seeds of struggle and joy, envisioning future hopes, questing after symbols, colors, feelings that emerge in the process. Through personal storytelling, it allows for authentic exploration, for the space to risk, to recognize both materially-based cultural identity, and one's deeper spiritual Self. It facilitates the disclosing of attachments to life obstacles and perceptions of Being. It evokes the process of becoming. The final representations expressed upon the page becomes a mirror for dialoguing with the inner content, to find insights, and to help evolve perception and consciousness within the art practitioner. Just as painting is a metaphor for life, these collaged reflective pages are interpretive records of one's creative life process. They provide steps into growth, healing, and maturity and reveal the ways in which I have sought to find patterns, make meaning, and to re-story personal narrative more authentically.

Friday, November 10, 2006

Pregnant Space


These spaces, the text between you and I
are mear dots of radiating energy
The world you know exists as you know
The world I know exists as I expereince it
we are all floating in our own pregnant spaces
Loving the sensation of infinite pulses
Hearing the vibration of the Universal Heart
Preparing to burst into orange.

Wednesday, November 08, 2006

Trusting the Journey - Living Deeply through Presence


Aesthetic Self-inquiry has been a transformative journey leading me into the darkness of the unknown, while encountering numerous epiphanies along the way. First I have learned that the painting process is a life teacher. In the same way that in the studio, I try to be present, let go, and trust the spontaneous flow of creative energy, this has spilled over into my whole person igniting a greater sense of Being than ever before. Here’s what has happened so far.
In the initial stages of my self-inquiry, I was focused on “surveying the landscape” of my life, what I refer to as “Life Excavations”. I began expressing these in visual journal pages I bound into a book I called “The Imaginarium” .(see rprgallery.com). I quickly realized this was going draw upon the painful and repressed aspects within. I began to honestly walk back and feel into the memories of my childhood; the longing to be nurtured and spoke softly to, the sense of emotional abandonment, an early loss of a parent to cancer; and the inner battle with a wounded, fragile, and insecure self-concept. As I opened my imagination and heart to represent these vulnerable feelings, memories, and experiences in expressive visual language, I researched, described, analyzed, interpreted, and evaluated these events for new insights and meanings. With a researcher’s eye, I began to inhabit an objective distance to these rigid concepts of narrative and self. Months later, as I reflected on those pages, my first major epiphany came to me; I had been utterly and unconsciously aware of how attached I was to those forms, self-stories, and ideas. I had identified with them and believed they were the truth of who I was. Yet, I began to see that my truest identity comes from an awareness to breath and to existent itself. This is prior to, and outside of, those experiences bound by time and space. This was the beginner’s mind I needed to continue on the journey.
At this time in July and August, I began painting subterranean layers of land embedded with roots, and thorns, and seeds. These resonated as earthy spaces of the heart. As I kept pondering the meaning of self in the term ‘self-inquiry’, I found it required a shift of identity perception, from that of the historical, material self, to care of the luminous Self; a peeling off of the old attachments to rigid conditioning, and an opening to the truth of who divinely I am. In this second phase of analysis I entered dark, deep layers of the unconscious where confusion, loss of meaning, isolation, anger, and rejection were buried. This was where epiphany number two emerged: Pain becomes the doorway and opportunity to let go, and to detach from rigid self-will and expectation. As I stepped into this invitation, I found that I was much more than the story of my past, my brokenness, my fear, and depression. During this period in September I increased my yoga and painting practices. These experiences shifted my inner perception further when I realized the power of embodied presence in a union with the Divine Source through the flow of breathe, movement, prayer, and meditation. These events opened a love-gnosis that illuminated the space mind to the sensations, visions, and feelings of the heart. This practice brought me into greater states of awareness helping me to “slip beyond the veil” of reality to draw upon my authentic Truth. My imagination linked to the heart changed the mind-body condition. I am finally able to live in a space where the psychosomatic stress of anxiety, and fear no longer rules. The healing presence, some call Prana, Life Force, or the Wind of the Creative Spirit is not metaphysical, but very physcial in that it releases a whole chain of bodily effects: cleanses blood, balances the neurochemical energies, and deepens and slows the rhythmic brainwaves patterns and heart beat. By late September, these physiological changes opened a state of clarity to Life, what Dr. Michael Samuels, and Mary Rockford Lane,R.N.,Ph.d call, “Illuminosity”..It is this creative, embodied space coupled with painting that helped me to begin to understand and utilize the holistic restorative benefits of creative energy to facilitate healing in my life and with others. I began to envision an Organic Model of Aesthetic Self-Inquiry. Recognizing the dynamics of creativity, and exploring them through journaling, blogging, and dialoguing with images in painting shaped my ability to set my mind free from the fuzz of life and emotion, by rooting my intention to live daily in presence. It signifies the fourth and final phase of Emergence in the spiral of the self-actualization process. This illuminosity is like a pedagogy, showing me how to re- engage in self-care. It invites me to witness self as a sacred energy, or as some identify as the feeling of being a " child of God". It liberates inner potential. This is not to a self-centered practice, but opens oneself, so they can become opened to others. It is here the I am most secure, and brokenness and suffering is received as a tool for humility and growth. Here I can rest and awaken each new day expectant of the lessons in the breath and observation in the present moment. Here I know that when the storm of struggle shadows my life, I can fall into the unknown and know I will be supported. By letting go, opening, and receiving, the river of forgiveness, trust, and transformation regenerates Life back to its original state. Darkness and Light become friends, Wherever You go, there You will be.

Monday, November 06, 2006

The Stigma of Mysticism & Returning to the Source


Okay, I am the first to admit, this blog sounds a bit on the mystical side. I originally entitled it "Returning to the Source". What is the Source? Think of images of a fresh well or watering hole, the primordial soup from which life first sprang, or a tranquil place of respite. The Source describes a phenomenological encounter between the introspective, inner eye and the energy of imagination beyond time and space. When attentively listened to and apprehended, this energy takes form and is intuitively embodied within categories of the mind (Lakoff) such as impressions, visions, feelings, symbols, and concepts of self. Some may recognize it as a voice. The Source is unique for each person, and is hazily perceived in awareness. It requires a deep receptivity to the forms and sensations experienced within the whole being. It connects darkness to the light, births emptiness into life, allows mystery to become known, and opens flow of creative energy onto the conscious awareness of our being. Artists through out time have painted from this inspired, fiery, and often crisis-laden reservoir of human experience, spirit, and emotion; Hildegaard, William Blake, Van Gogh, Kandinsky, Rothko, Joan Snyder. The Source is a term that unifies the psychological, spiritual, existential, theological, and phenomenological perceptions of humanity. It embraces our deepest sense of being, bridges our humanity to our divinity, and opens the flow of emotional and psychosomatic healing. Yogis have called it Life Force, Heidegger has called it our primordial Being; Freud has called it the unconscious; Jung, the Collective unconscious; Tillich, the Courage to Be; Thomas Moore expresses it as Soul.
Returning to the Source is a path that requires a childlike faith; the ability to let go and play, explore, and become open to what possibilities exist in the present moment. It relinquishes human control and ego, and allows what is to be.
In a world where overstimulation, social fragmentation, and psychological rootlessness dries up the nourishing waters of awe, wonder, and excitement of life, a return to creativity through a committed, meditative, and personally expressive process restores the sense of rootedness, nuturance, and balance. As a spiritual practice, human devotion merges with presence giving birth to new capacities for living. It allows for our potentials to emerge.